Current–

Online–

Upcoming–

Past–

9.2 -
10.10.15

Why Be/e Collective: Praesepe

9.3 -
10.10.15

Many Cities, One Providence: Mexico City – Spectacular Vernacular

10.28 -
12.12.15

A Sign Only Has to Serve as a Sign

1.20 -
2.26.16

Amy Beecher: tbh

1.23 -
2.26.16

Good and Long Looks

4.28 -
7.30.16

On the Wall: Paul Anthony Smith

8.24 -
10.8.16

Will Hutnick: But We’re Getting Off the Subject

8.24 -
10.8.16

Erin Leland: Catwalk Informed by a Priest

10.27 -
12.10.16

Rob Andrade: To Move an Obelisk

10.27 -
12.10.16

Clement Valla: Parallel Lines on a Freeform Surface

12.4 -
1.15.17

PC–G in Chicago: [Old/New] Psychedelic Providence

1.19 -
2.24.17

Deb Sokolow: The Presidents (some of them)

1.26 -
3.3.17

Many Cities, One Providence— From New Castile to New England: Fly on the Wall by Miguel Guzmán Pastor

4.26 -
7.30.17

On the Wall: Assaf Evron

5.21 -
7.30.17

Best of Show: 2017 Studio Art Majors

9.14 -
11.11.17

Painters & Photographers

9.14 -
11.11.17

Many Cities, One Providence: Kansas City Catch-All

11.30 -
2.24.18

A Dialogue on Distortion: Graham McDougal & Bayne Peterson

11.30 -
2.24.18

Anna Kunz: Venus

4.26 -
7.28.18

On the Wall: Nadia Haji Omar

9.12 -
11.17.18

Classic Beauty: 21st-Century Artists on Ancient [Greek] Form

12.5 -
3.2.19

Many Cities, One Providence— Operation 24 pages: A Public Art Intervention in 1970s Italy

12.5 -
3.2.19

Dirtypower by Caitlin Cherry

5.1 -
7.26.19

On the Wall: Elizabeth Corkery

5.19 -
7.21.19

Best of Show – Studio Art Majors 2019

9.11 -
11.16.19

Many Cities, One Providence—Tel Aviv: From the seafoam and clouds to the here and now