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The Carriers: Joiri Minaya and Anne Austin Pearce

The Carriers: Joiri Minaya and Anne Austin Pearce


October 27, 2021–February 26, 2022

Reilly Gallery

October 27th
5pm: Artist Talks
6–7pm: Public Reception
Smith Center for the Arts


Installation view of two walls with large abstract patterns underneath large photographs of figures in nature. To the right is a white rectangular structure holding 3D objects.

About the Exhibition

This exhibition features two artists—Joiri Minaya of New York and Anne Austin Pearce of California—whose works question the colonial urges and histories around collecting, controlling and owning nature. Minaya’s ongoing Containers, a series of performative photographs, feature the artist in seemingly natural environments wearing bodysuits she makes out of fabric with designs that represent tropical nature. Minaya’s work often utilizes ‘the tropical’ as a critique of colonialism and as a means to locate and reclaim agency. Pearce’s small sculptures exist somewhere between decorative glass vessels and emollient blob. As if the after-effects of an oil spill, dozens of these art objects suggest humanity’s endless suffocation and consumption of nature through containment.

Together, these two bodies of work engage questions surrounding ethics and aesthetics of contemporary ecology, as well as the assumed vessel that is humanity. The artists ultimately ask: What is consumed or preserved and under whose authority?

This exhibition is organized by Kate McNamara, PCG Curator at Large. 


About the Artist

Joiri Minaya (b.1990) is a Dominican-United Statesian multi-disciplinary artist whose work investigates the female body within constructions of identity, multicultural social spaces, and hierarchies. She was born in New York and grew up in the Dominican Republic. She graduated from the Escuela Nacional de Artes Visuales of Santo Domingo in the Dominican Republic, the Altos de Chavón School of Design, and Parsons the New School for Design. She has participated in residencies like Skowhegan School of Painting and Sculpture, Guttenberg Arts, Smack Mellon, BronxArtSpace, Bronx Museum’s AIM Program, the NYFA Mentoring Program for Immigrant Artists, Transmedia Lab at MA Scène Nationale, Red Bull House of Art Detroit, Lower East Side Printshop Keyholder Artist, Socrates Sculpture Park, Art Omi, and Vermont Studio Center.

Anne Austin Pearce (b.1968) is an artist whose work explores the natural world, especially as it relates to form, color, and ecosystems. Before receiving an MFA in drawing and painting at James Madison University, she was born in Lawrence, Kansas, and studied Studio Art at the Kansas City Art Institute, Brighton Polytechnic, and the University of Kansas. Pearce is currently Associate Professor of Studio Art and Director of Creative Arts Program at Soka University of America, Aliso Viejo, CA. She has exhibited at the Nerman Museum of Contemporary Art, Overland Park, KS; Corcoran School of Art and Design, Washington D.C.; Drawing Center, New York City; Museum of Art + Design Miami, FL; Daum Museum of Contemporary Art, Sedalia, MO; and Bradbury Museum, Jonesboro, AK; among other venues. Pearce is a 2012 Charlotte Street Foundation Visual Artist Award Fellow and has paintings in the permanent collections of the Nerman Museum of Art, Overland Park, KS; Spencer Museum of Art, Lawrence, KS; and University of Central Missouri, Warrensburg, MO; in addition to numerous private collections.

Installation Images

Installation view of various abstract organic-looking objects on a white surface. Behind are two artworks mounted on brightly patterned wallpaper, both showing a figure at the beach.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
Installation view of a gallery with white walls, each with large bright photographs of figures in nature. The back and left walls have bright patterns behind the artwork.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
Installation view of two walls with large abstract patterns underneath large photographs of figures in nature. To the right is a white rectangular structure holding 3D objects.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
A detail of a collection of 3D objects, with two objects on a white background. Both are abstract and mainly black, with pops of color and materials protruding outwards.
Anne Austin Pearce Sprout, 2019 presented in The Carriers in PCG’s Reilly Gallery, 2021.
Installation view of 3D abstract sculptures on a white rectangular stand. An artwork is on the far wall next to a wall with an open doorway.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
Installation view of a white wall mostly covered with two large brightly patterned rectangles. Each rectangle is behind a large photograph of a covered figure in nature.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
Installation view of a large white rectangular stand holding 3D abstract sculptures. The sculptures are mostly black with pops of color and materials protruding outwards.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
A detail of a collection of 3D abstract sculptures, looking down onto three sculptures on a white background. All are mainly black with pops of color.
Anne Austin Pearce Sprout, 2019 presented in The Carriers in PCG’s Reilly Gallery, 2021.
Three-dimensional abstract objects sit on a white stand. Three are mainly black with pops of color, and two are red and black. All have different organic looking protrusions.
Anne Austin Pearce Sprout, 2019 presented in The Carriers in PCG’s Reilly Gallery, 2021.
Installation view of a gallery with three white walls and an open doorway. On the right is a patterned rectangle with an artwork in front. The left displays 3D objects.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
A figure faces a white wall, looking at a large photograph of a colorful figure in nature. To the far right, 3D objects are displayed on a white structure.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
Installation view of a large photograph on a white wall depicting a figure lying in flowering bushes, covered head to toe in a bright floral suit.
Joiri Minaya Container #4, 2020. Archival pigment print, 40″ x 60″.
Installation view of 3D abstract sculptures that are mainly black on a white surface. On the back and right walls are large brightly patterned rectangles behind large photographs.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
A close up of a 3D abstract black sculpture with brightly colored dots and twig-like protrusions. Behind are similar sculptures and an artwork on a white wall.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
Two 3D abstract sculptures sit on a white surface. Both are mainly black with colorful dots and natural elements protruding, like sticks and rocks.
Anne Austin Pearce Sprout, 2019 presented in The Carriers in PCG’s Reilly Gallery, 2021.
Installation view showing an abstract sculpture with a base of wood and rocks below a black structure with colorful dots. Behind are similar sculptures and colorful artworks on the walls.
Installation view of The Carriers: Joiri Minaya and Anne Austin Pearce presented in PCG’s Reilly Gallery, 2021
An abstract black sculpture with colorful dots sits on an organic shaped wooden base. A black stick protrudes from the top. Behind are structures made of similar materials.
Anne Austin Pearce Sprout, 2019 presented in The Carriers in PCG’s Reilly Gallery, 2021.
An abstract sculpture made of a rock with twigs and shells and a shiny black circular shape with pink and blue dots.Behind are sculptures made of similar materials.
Anne Austin Pearce Sprout, 2019 presented in The Carriers in PCG’s Reilly Gallery, 2021.